The Symbolism of Duality in the Visual Form of the Barong Ket Mask: An Aesthetic and Religious Study of Balinese Hindu Ritual Traditions

Asthararianty Asthararianty; Imam Santosa; Irfansyah Irfansyah; I Nyoman Larry Julianto

doi:10.55927/fjmr.v4i10.535

Authors

Asthararianty Asthararianty Bandung Institute of Technology
Imam Santosa Bandung Institute of Technology
Irfansyah Irfansyah Bandung Institute of Technology
I Nyoman Larry Julianto Indonesian Institute of Arts Denpasar

DOI:

https://doi.org/10.55927/fjmr.v4i10.535

Keywords:

Symbolism of Duality, Visual Expression, Barong Ket Mask, Religious Aesthetics, Balinese Ritual Tradition

Abstract

The Barong Ket mask in Balinese Hindu ritual tradition embodies a synthesis of lion, bear, and boma forms. Beyond its aesthetic, it represents divine power and cosmic protection. This study focuses on the mask’s visual aspects—shape and color—from Gianyar Regency, Bali, emphasizing the artist’s style in shaping its distinct character and symbolic meaning. Using a qualitative case study, it examines how the mask’s visual expression reflects the principle of Rwa Bhineda, symbolizing harmony between opposing forces. The findings reveal six symbolic dimensions of duality spanning unseen metaphysical and visible aesthetic values, illustrating how Balinese people perceive and interact with the cosmos through sacred beauty, faith, and cultural expression.

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